The End Of All Crossroads

Where the TAXI makes a stop, to ponder upon which road mayhap be true

Tag: libya

Chemical weapons reports in Syria, exactly as warned

“American soldiers likely will be on ground in Syria, facing not just Assad’s army, but the Iranians and the Russian armies. The Russians already have about 100,000 soldiers in Syria. There have already been 40,000 deaths in Syria. Are you ready for four million?”

By Douglas J. Hagmann

4 December 2012: And so it begins, or should I say, so it continues. CNN is now reporting that an unnamed U.S. intelligence official claims that Assad’s Syrian forces are “combining chemicals that would be used to make deadly sarin gas for use in weapons to attack rebel and civilian populations.”

As I wrote here before in various reports pertaining to Benghazi, this was the plan all along and you are seeing it play out, albeit a bit behind schedule as Obama, Clinton and their national security advisers had to coordinate the Benghazi cover-up that few admitted existed and even fewer would report. Information about the use of chemical weapons, specifically gas, was detailed in the second part of my interview with an intelligence insider:

“One aspect of the weapons plan was to set up a false flag operation to make it appear that Assad used chemical weapons against his own people. Imagine the outcry from the civilized world to the news that Assad ‘gassed’ his own people. That would be an invitation to NATO and the West to openly intervene. Don’t forget about the timing of all of this. Two months before the elections, and time was running out. The job of taking out Assad was not yet complete. Such an event would quickly advance this agenda. By this time, however, being caught and placed in a rather unenviable position between Russia and the U.S., the Turkish consul general was in a ‘CYA, clean-up’ mode, assuring that none of the chemical weapons that might have still been in Libya were headed for Turkey.”

Now, because no one has stepped in to expose the big lie behind Benghazi, it is nearly certain that the U.S. and NATO will become involved. By not exposing the big lie, American soldiers likely will be on ground in Syria, facing not just Assad’s army, but the Iranians and the Russian armies. The Russians already have about 100,000 soldiers in Syria. There have already been 40,000 deaths in Syria. Are you ready for four million?

As I wrote before, the fuse for WW III has been lit. You are witnessing history playing out right before your very eyes. I mapped out their plan. Has anyone been paying attention?

SOURCE:
http://www.homelandsecurityus.com/archives/7215

Pentagon Fraud

“The contractor fraud provision would make the Department of Defense identify firms that received contracts after they were previously sanctioned for defrauding the Pentagon.”

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November 30, 2012

The Senate on Friday agreed to make the Pentagon compile annual reports on contracting fraud. The provision by Sen. Bernie Sanders was added to a Department of Defense authorization bill. Another Sanders amendment added to the bill today would make public a list of senior military officials who leave the government and land on the payrolls of defense contractors. “This country has a $16 trillion national debt. It is unacceptable that the Department of Defense continues to lose vast sums of taxpayer money because of fraud perpetrated by major defense contractors. This has got to stop,” Sanders said.

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The contractor fraud provision would make the Department of Defense identify firms that received contracts after they were previously sanctioned for defrauding the Pentagon.

Over the past decade, the Department of Defense paid more than $400 billion to contractors who had been previously sanctioned in cases involving $1 million or more in fraud, according to a 2011 Pentagon report. That study, the first of its kind, was required by a Sanders amendment to an earlier defense authorization bill.

Major contractors among the many examples of fraud cited in the report included:
Lockheed Martin. The nation’s largest defense contractor landed $200 billion in taxpayer-funded contracts even after paying $60.95 million in fraud judgments and settlements over the previous 10 years. In 2008, for example, Lockheed paid $10.5 million to settle charges that it submitted false invoices for a multi-billion dollar contract connected to the Titan IV space launch vehicle program. The very next year, Lockheed received $30.2 billion in Pentagon contracts.
The Boeing Company. It paid at least $644 million in fraud judgments and settlements while it received more than $21 billion in contracts in the last decade. In 2000, for example, Boeing agreed to pay $54 million to settle charges that it placed defective gears in more than 140 Chinook helicopters and then sold the helicopters to the Army.
Northrop Grumman Corp. Despite paying at least $410 million in fraud judgments and settlements, the nation’s No. 3 defense contractor was awarded more than $9 billion in taxpayer-funded contracts in the last decade. In 2005, Northrop Grumman paid $62 million to settle charges that it concealed basic inventory problems. Despite the serious charges, Northrop Grumman received $12.7 billion in contracts the next year, a 16 percent increase over the year before.

Under a separate Sanders amendment, the Pentagon would have to shed light on defense contractors that hire retiring Pentagon brass to help them land lucrative government contracts.

A recent study by Citizens for Responsibility and Ethics in Washington and the Brave New Foundation found that 70 percent of recently-retired three-and-four star generals left the Pentagon for employment by major defense contractors. At least two of the former generals continued to serve on Defense Department advisory panels. The report did not find that any generals were breaking rules, but said that ethics codes are “riddled with loopholes” and suggested increased public scrutiny could prevent conflicts of interest.

 

SOURCE:
http://www.sanders.senate.gov/newsroom/news/?id=2DF44679-35D7-424E-BB35-6AD57DE44786

Popular Culture Promotes the Police State

“The State has but one face for me: that of the police. To my eyes, all of the State’s ministries have this single face, and I cannot imagine the ministry of culture other than as the police of culture, with its prefect and commissioners.” – Jean Dubuffet

 

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Popular Culture Promotes the Police State

The New World Order, designed around a functional police state that is encouraged by continuous popular cultural messages, is apparent to even the most avid establishment apologist. Liberty and freedom, hardly ever mentioned in a positive light by the mass media, is a direct threat to the ruling class. The proliferation of degenerate behavior is lauded so that those who object to such conduct will be demeaned as outcasts of the decadent society. The imposition of a police state is necessary to coerce decent people into forced obedience.

Cultural celebrities and icons come and go, but their art often rings on for good or bad. Political propaganda, embedded in media projects, has transcended subliminal messages and now emphasizes in your face brashness. The breakdown of the traditional value society is so complete, that what was once viewed as insulting political disinformation now passes as a promotion for a loyalist NWO drama.
One such Showtime production is the pathetic Homeland series.
Rachel Shabi offers her review assessment in the piece; Does Homeland just wave the American flag?

“Instead, Homeland presents a retuned version of the same unshakeable assurance that, even when things are really complicated, American values are the fairest, the most right and the best. Sure, the series shows US forces doing terrible things: covering up a drone attack that kills civilians in Iraq; trigger-happy in a US mosque, leaving innocents dead there, too. But these are presented as necessary acts in pursuit of far worse crimes. Homeland’s core message is that the US means well, but sometimes has to do bad things; while the Arab and/or Muslim enemy doesn’t mean well and hence does unfathomably bad things. Not much of a progression really, is it?”

When the postmortem of the Patriotic Act era is dissected, the treason of intelligence community operations will be written in their full horror. The police state glorified in Homeland episodes is meant to prepare the public for the next stage of centralized oppression.

While cable or broadcast TV is so removed from Little House on the Prairie, today’s programming is designed to facilitate the psychological acceptance of the transition into a maximum lock down prison society.
In the essay, Mass Mind Control Through Network Television, Alex Ansary warns of the prison industrial complex.
“Turn on your local newscast. You have a few minutes of blue-collar crime, hardly any white collar crime, a few minutes of sports, misc. chit chat, random political jibber-jabber, and a look at the weather that no one is forecasting correctly. Is that what happened in your town? And we’re supposed to own the airwaves! The mainstream media openly supports the interests of the prison industrial complex. The stories focus on minority criminal groups, and exploit the real threat to appear much more dangerous than they are. Think about the growing per capita number of prisoners in the country. Then remember that this is happening at the same time that our prison boom began. The police on our streets have created criminals. The focus is to keep us in a state of fear, that way the elitists can attack any group they want to without fear of consequence. This is why the media is continuing to craft the timeless art of dehumanization.”

The cutting edge of mind control has long included the use of music and lyrics that produce subconscious meanings. Now the fascist messages in street music indoctrinate not only the youth but target to reinforce the despotic aspirations of TSA flunkies.
The article, The Transhumanist and Police State Agenda in Pop Music, provides two examples of globalist messages disguised as performances by Rihanna and Beyonce.
“In hip-hop slang, the term “hard” usually refers to someone who is street-savvy, gritty, rebellious and who is decisively “not down with police”. Hard transposes this term to a military context. Her militaristic video features a gang of uniformed men dancing under the orders of “General Rihanna”. We’ve come a long way from Public Enemy’s Fight the Power…it is now Submit to the Power. All of this military/dictatorial imagery is mixed with Rihanna’s sexy moves and outfits, appealing to the masses’ basest instinct: sex.”

https://i2.wp.com/batr.org/sitebuildercontent/sitebuilderpictures/leaddes-copy.jpg“Beyonce walks on stage with a bunch of men dressed in riot gear… the type of unit a police state would use to repress opposition during popular turmoil. What are they doing in Beyonce’s performance? Contributing to permeate popular culture with police-state imagery.”

In the follow-up account, you can read the description mentioned in this report.
“Two recent examples of the perpetuation of the police state agenda in popular culture are Jay-Z and Kanye West’s music video No Church in the Wild and Adam Lambert’s Never Close our Eyes. In spite of, or perhaps because of, the fact that these songs are two different genres that aim to reach two different markets, they both contribute to the saturation of popular culture with police state imagery. While the authorities are not necessarily portrayed as the “good guys”, they are nevertheless there, as if their presence at any kind of public demonstration is normal.”

Contrast this dark brute force portrayal, with an age of optimism and hope. The peace and love themes in the music and political actions of John Lennon offer a rudimentary alternative to the grisly atrocities that the establishment commits routinely in the name of national security.

Gangster rap has little in common with All You Need is Love.

Rebellion of youth is natural, but resigned acceptance for submission to the police state is repression. The thirty-two years since his assassination has been one long road into oblivion. Read the “Interview With Investigative Reporter Jack Jones” for insights into the elimination of a dangerous messenger of peace.What a long way away from John Lennon’s lyrics in the song Revolution.

You say you’ll change the constitution

Well, you know

We all want to change your head

You tell me it’s the institution

Well, you know

You’d better free your mind instead

But if you go carrying pictures of Chairman Mao

You ain’t gonna make it with anyone anyhow
Now, transition from the mental liberation of the Beetle era, and go back and examine the overt war crimes of the premier American despot, Abraham Lincoln. Biographer and jingoism jezebel LBJ groupie, Doris Kearns Goodwin’s book, Team of Rivals: The Political Genius of Abraham Lincoln served as the backdrop of Steven Spielberg’s production of the recent released Lincoln film.

Alec Ryan writes in the American Renaissance:

“In the modern Hollywood narrative, all American history revolves around the Sacred Black Experience. Lincoln confirms this, bending historical truth to paint the most ruthless, bloody-minded, strong-willed American leader in history as some kind of smug, pre-post-modern storyteller croaking gamely through the difficulties like a paleface Obama sans teleprompter. The few Southerners are snarling, greasy bigots, recoiling before the erect, scowling black Union guards as they slink by during a meeting that led to the Hampton Roads peace conference of February 1865.

The film has throughout a sense of hushed awe, as if kowtowing to its own self-evident righteousness. There is no balance, no complexity, no sense of inner struggle or desperation. No opposing arguments. Its simplistic outlook more closely resembles the popcorn-psychology Avengers or Justice League rather than the serious historical movie that it clearly wishes to be acclaimed.”
The point of evaluating the worship adoration of the destroyer of the Republic with the authoritarianism of the newly re-elected president is to equate the despotism of both of their regimes. The imposition of the police state is part of the master plan to enslave the inherent autonomy of free citizens.

The insidious popular culture strips the institutions of traditional constitutional protections and separations of powers by diminishing the will of sovereign citizens to fight tyranny. The goal of imposing savage dehumanizing ruthlessness seeks to spread the Sons of Anarchy mindset into positions of authority. The merging of law enforcement into the ranks of criminal organizations becomes a common occurrence in the police state environment.

Once upon a time, the peace officer maintained order and balance. Now law enforcement deems that natural rights are arbitrary and conditional on obedience to government dictates.
911 provided the excuse to inflict a “War of Terror” under the disguise of national security. The Homeland program scripts that foster the ends justify the means are repugnant to every liberty advocate. Each day, the evolving police state is becoming more invasive and punitive.

A culture that glorifies jack booted thugs that order innocent citizens around as sinister terrorists destroys the essence of the nation. The New World Order essentially uses depressing indoctrination of the inevitability for submission to their mind game matrix.

The walking dead that accept a dependent society administered by bureaucratic goons, willingly tolerant a fate of bondage. Since texting is all the rage and the written language is sorely deficient, maybe the best way to communicate though the popular culture is to withdraw from the experience as much as possible. Try one on one contact; you might be surprised with the results.

SARTRE – December 2, 2012

SOURCE:
http://batr.org/autonomy/120212.html

State Department Spent 4.5 Million for Embassy Art, Had No Money for Benghazi Security

December 2, 2012 By Daniel Greenfield

Remember Benghazi only happened because the State Department had no money for security. And the military had no money for planes. And Obama had no money for his campaign and had to rush to Vegas to fundraise with Beyonce.

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Things that the State Department did have money for? Mosque renovations, promoting environmental awareness in Baghdad, and 4.5 million for Art in Embassies.

The New York Times reported in 2009 that Art in Embassies spends about $4.5 million a year for permanent art acquisitions; chief curator Virginia Shore said at the time that artists and dealers support the program via favorable pricing; for the embassy in Beijing, an outlay of $800,000 yielded works with an appraised value of $30 million.

So… maybe we can sell some of that as a profit and pay for bodyguards. Or we could just hand out medals to the artists in exchange for favorable pricing. Yes, let’s do that.

On Friday, Secretary of State Hillary Clinton will give the U.S. State Department Medal of Arts to five artists who have shown “an enduring commitment” to the effort: Jeff Koons, Cai Guo-Qiang, Shahazia Sikander, Kiki Smith and Carrie Mae Weems.

It’s the first time the award has been given – and its future will likely depend on whether Clinton’s successors want to make it a tradition.

Let’s make it a tradition. Even if we have to strip security from all our embassies in war zones. This stuff, unlike human life, is really important.

There is of course a certain irony in that Clinton ordered the arrest and imprisonment of the Mohammed filmmaker, but is now honoring “controversial” artists who may offend Christianity, but don’t offend Islam.

Like every regime, the Obama regime has artists that it honors and artists that it imprisons. And the artists that it hands out medals too, like their Soviet counterparts, are delegitimized by their placement as the pet artists of a repressive regime.

Kiki Smith, one of the artists honored by Secretary of State Clinton, offended Catholics with pieces such as, “Virgin Mary,” a female figure stripped of her skin, with her tissues and muscles exposed. Another exhibit features Mary Magdalene growing fur on her body.

If Kiki Smith had depicted Mohammed that way, she would be in hiding and maybe in prison, depending on how many embassies Muslims burned afterward. But since she depicted a religion that Obama and his cronies hate, she’s getting her art placed in embassies and getting a medal instead. That is how things work in repressive regimes.

And just as a reminder that this isn’t art, it’s regime propaganda, here’s one of the “paintings” from the Art in Embassies exhibit in Stockholm. “Paul Rusconi, Barack Obama, 2008.” Sold for $20,000. You can see it up above. The new symbol of America. But I offer my own “artistic” take on Rusconi’s piece. One that might be better representative of what America under Obama truly stands for.

 

SOURCE:
http://frontpagemag.com/2012/dgreenfield/state-department-spent-4-5-million-for-embassy-art-had-no-money-for-benghazi-security/#.ULxDReZGDuE.email